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RobsonPierre
tô começando a achar que gosto mais do trampo destes manos que das intervenções artísticas do whitehouse -- conjunto que, até então, julgava de qualidade inigualável neste ramo
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RobsonPierre
shame é a melhor e mais poderosa faixa de todos os tempos, ademais -- sim, não tô falando somente de pe/death industrial aqui. nunca antes houve coisa tão emocionalmente tocante na história da música (para este quem vos escreve, é claro)
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Valenehow
ON YOUR STOMACH. LIFT YOUR ASS UP. AH!.. FUCK FUCK, THIS IT, FUCK IT, THIS FUCKING IIIIIIIIIIIIIIIIIIIIIIIIIIITT!!! i WISH YOUR FUCKING MOTHER COULD BE HERE TO SEE THIS!! I WISH YOUR FUCKING MOTHER COULD BE HERE TO SEE THIS!! THIS IS GONNA FUCKING HURT... WE CAN'T STOP THE BLEEDING... FUCK, FUCK... IT'S FUCKING EVERYWHERE, YES YES YES!!! FEEL IT INSIDE. TEARING. RIPPING. FUCKING YES! NOW! NOW! I'M GONNA FUCKING DO IT NOW! WHERE'S THE FUCKING KNIFE? WHERE'S THE FUCKING KNIFE? GIVE ME THE THING.
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TheWatcher777
The number of ripper victims keeps increasing because of you guys. If you would just stop listening to the music then maybe we'd be saving multiple people from becoming victims of the ripper.
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PiecesOfQuiet
We were built to be more disposable biologically. Now that we're all living, its driving us insane.
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Mindscraper
Finnish punk & black metal influences might seem to be more controversial conclusions, but I'm pretty convinced that this is the key to the formula if we speak about "Rape Africa" (2012) and further releases featuring absurdly distorted bass-guitar and heavy stomps of minimalistic drum patterns. That particular "stylistic mutation" seemed to produce confused reactions: "Woah, what is this? Some kind of industrial sludge doom?", haha. I would simply answer: "You're looking in the wrong direction". Not much need to invent yet another fancy cross-genre tag. Not much relevance in the suggestion that Pasi would be particularly interested in modern bands which "brutalise" (or dopesmokerise) the legacy of Black Sabbath. I'd rather point to the fact that he collaborates with Ride For Revenge for about... 15 years already? Maybe more. RFR is exactly the band which amplifies all the qualities related to Beherit & Archgoat to overblown levels of bestial orgy.
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Mindscraper
Pasi's enthusiasm for this is evident. Monstrous bass-guitar distortion producing an image of bloated corpse ready to burst with putrefied entrails? This is a prominent feature of RFR's sound and it seems natural to regard this as a source of inspiration for BU as a long-term "companion". Ritualistic drum patterns zombifying you with the "sexual rhythm of death"? Another effective weapon from RFR's arsenal and my conclusion is the same. As for punk element, oh well... I struggle to remember how many times Pasi referenced Terveet Kädet, for example. He even offered some "cover versions" of their stuff, but I guess it would be more precise to call them "deconstructions" or something, let's just say that Pasi ripped those punk songs a devil's dozen of new assholes and in the end they sound like all those newtorn assholes gushing out bloody diarrhea at the same time. Well, who would be surprised? Punk influence is surely indirect, but there's a shitload of "down in the gutter" vibes...
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Mindscraper
...perfectly matching the infamous "chaotic drunken degeneracy" of the local 80s scene. Of course, BU's legacy is not merely a sum of the listed influences, there's no lack of personal interpretation & unique ideas beyond the limits of all the referenced subgenres, some pieces avoid almost any kind of classification and the only characteristic would be: "authentic soundtracks of bizarre sadomasochistic practices". The project has no equivalent and the scale of weirdness, wildness & unpredictability seems to be ever growing, stylistic perversions have no limits and the material starts to get "well, kind of strange nowadays" even for experienced PE listeners, I think it's fucking exciting. Surely interested to expand on the topics of The Rita and Keith Brewer, but I guess I'll save the comments for later, looks like I got carried away & dropped an obnoxious turdbomb of text, time to recharge, haha.
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KarlJarl
Good band but with alot of the other early albums in whitehouse/sutcliffe jugend/ramleh circle, the vocals can sound really goofy in some instances, cant listen to when pornography is no longer enough without laughing at tomkins vox, absolutely brutal noise instrumentals on that album though
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Mindscraper
Goofy/gnarly, ridiculous/outrageous, that's the beauty of it. Especially in case of Whitehouse. "Crippled comedy" of sorts, trapped somewhere between laughter and nausea, "Mindphaser" from an early LP is a good example of that. "Here comes the clown. Showing his tricks. He left you bound. Licking your dick..." (c) Brainbombs
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IDieScreaming
the one-two punch of Shame and Offal are insane, why do PE musicians age so fuckin well
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Mindscraper
Still nothing comparable to that "old pervert blues" thing that "Pigdaddy" has going on. Tomkins' finest hour of ridiculous vocal performance. Call-and-response patterns? The title track has it. Slave songs? Well, how about a master/slave song? Howlin' Wolf calls, castrato rabbit responds. Peter Sotos must be totally jealous of such a record. Dirty as(s) fuck. Dirty-dirty, dirty dirty-dirty, dirty YAAAH.
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Mindscraper
He cares about words of cumfort and mental pleasures, so at least he could have some quality time howling along to this pure filth blues on a lonesome night.
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HaHaHaYoureDead
эх, где же то золотое время, когда эта группа была записана как "любимая музыка" в моем профиле на сайте бдсм-пипл....
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outfield7790
Мне казалось, что они скучные, по-сравнению с Уайтхаус. Просто это был их нойз-роковый концерт. А так на ранних альбомах у них тоже есть эта фирменная "пищалка", которая мне так нравится. Значит, надо переслушать.
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Mindscraper
"Pigdaddy" has its shining moments of the sweetest blues since Leadbelly. I guess there's no need to mention that hip-hop can suck cocks in hell after the perfection of "Dirty".
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afterseas2exist
https://heathenharvest.org/2019/02/17/cause-for-concern-days-after-iron-fist-of-the-sun-calls-it-quits-sutcliffe-jugend-follows-suit/ They've also announced their dissolution on their FB page.
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GriendClub
Эксперименты с медитативными эмбиент альбомами явно пошли на пользу, после всех этих мьюсов и блю рэббитов харшевые комозиции стали продуманными, завершенными, да и в целом приобрели безумно притягательную форму.На оффале был огромный шаг вперед с экспериментом по урегулированию и структуризации харшевого насилия в зучании, но композиции оставались немного топорными.А вот шейм - это просто нечто, начиная от обложки и заканчивая содержанием - на этом альбоме прекрасно всё.Вообще, первое время охуевал с того, насколько мелодичную (!) силовую электронику (!) они смогли создать оставаясь при своём токсичном звучании, они как бы идеально балансируют, не позволяя себе скатиться до уровня той же арафны с их синти-поп позором на сайде, и не клепая шум ради шума, как Ферноу с его 3,5 часовым выкидышем.Проект определенно фаворит PE, не за счет "ветеранства" или имени, но именно за счет эволюции в звучании, за чьим творчеством теперь действительно стоит следить.
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Radical_Al
yes. Peter Sutcliffe = white male supremecy. Jugend = Hitler youth = neo-nazi = 14/88 = gas the kikes race war now
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nichtsein000
I suppose that if you'd prefer to think of them as Nazis, there's nothing stopping you.
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